Sanya Happy Life—A small Golden Week street fair

April 28th, 2012 was a quiet and beautiful day. The entire city of Tokyo was gearing up for the Golden Week holiday. But I had an appointment in Sanya at 13:30 with the staff of the Sanyūkai NPO free clinic to take pictures for a story about their work with the destitute and down-and-out. However, I got to Minami-senju Station early. So I wandered over to the shōtengai in Sanya, an area now officially called Nihonzutsumi, to see what other interesting things I could see. What I found surprised me, considering most of the people I had previously photographed in that part of town.

It was a little a street fair and flea market, a delightful thing to find in this run-down, hard-drinking part of Tokyo. I walked around for half an hour, taking pictures of the vibrance, cohesion, and community I saw in a place that isn’t exactly known for any of these things. It was heartening to experience this little street fair. And tired as I was after finishing my work for the day, I felt uplifted as I walked to Minami-senju Station and caught the Hibiya Line back toward western Tokyo and my apartment in Nakano-ku. While you’re here, have a look around:

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Some young parents and their kids checking out used goods in the street.

 

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Two buddies, sharing stories and beers. I wrote a bit of poem-fiction about them here.

 

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Jewelry for sale, but they weren’t very aggressive about it.

 

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Odds and ends for kids.

 

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This guy was pretty colorful, and I did a color-full story on him here.

 

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An obaa-chan with a stylish fanny pack, watching people in the street go by.

 

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And of course this being Sanya, at one end of the shōtengai near a liquor store these men were gathered in the gutter and drinking heavily. Sanya is consistent that way.

If you would like to see more pictures and stories from this Golden Week street fair, please have a look here. And enjoy.

The 1985 College Flashback—A small archival

In 1985, when I was a junior at Lehigh University, we all thought we’d dodged a bullet because virtually none of the oppressive, fascist government policies and surveillance technologies envisioned by George Orwell in his novel Nineteen Eighty-Four had come to pass nor been implemented by the United States government. At least as far as anyone knew.

Times have changed, have they not? It’s an interesting coincidence (or is it coincidence?) that the recent news of the National Security Agency’s covert surveillance and data collection activities broke during the very same week Orwell’s paranoid dystopian novel was originally published on June 8th in 1949.

The year 1984 was a lot like the recently-departed 2012, in that scores of paranoids, conspiracy theorists, and flat-out religious whack jobs predicted events that would either drastically change or even end the world. The big difference is that some of what we expected to happen by 1984 just took a hell of a lot longer to come true than many people imagined. That is, if they imagined at all that our own American government could or would undertake the secret surveillance of millions of innocent, law-abiding citizens for the questionable sake of catching a couple dozen or hundred possible foreign anti-US dissidents or violent shit disturbers.

Personally, I feel cheated, I feel had, even if nobody at the NSA has ever heard my name or looked at any of my emails. This kind of government activity wasn’t supposed to even remotely be a part of the structure upon which the American Dream of my childhood and youth was built.

So I feel like a rube, the same naïve rube who wrote the following column in the February 8th, 1985 issue of the Lehigh Brown & White student newspaper. So much has changed since I wrote these words, and I thought it was all slow, gradual change for the better. How wrong I was, and how stupid I feel maintaining through all of this the hope that we all will recover and be able to continue the individual pursuit of our persecution- and oppression-free visions of the American Dream…

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Clip image courtesy of the Lehigh University Brown & White Digital Archive

Taito-ku Revelations—A small chat

All the vast introduction letters of the universe,

and perhaps even

a carte de visite from some god

won’t get you anywhere in this town.

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What it’s reduced to is an old truth:

That if we can’t laugh at ourselves,

we may as well cry for others.

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Then maybe have a snack and

a drink of some substance and gusto.

What the hell, it works for those bums in America.

It may as well work for us.

(An outdoor bar in Sanya, Tokyo, where the men watch televised boat races and enjoy festive liquors like Asahi Super Dry and One Cup Ozeki. Pictures taken in April, 2012.)

Punk Rock Retail—A small entrepreneurial

It was the first Saturday of Golden Week, at a small flea market and street fair in Sanya.

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It was a nice day. Lots of good stuff for sale on the street.

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But among the mothers and little kids and conventionally-dressed walk-a-day oldsters and salaryman dads, this guy stood out.

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Still, business was good. He had stuff in which housewives and grandmothers had interest.

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And in between customers, he sat quietly, patiently, seeming to think while watching this small piece of the world go by.

(Pictures taken on the shōtengai in Sanya, Tokyo on April 28th, 2012)

Arts & Leisure in Sanya—A small surveyance

In places like Sanya, the beat-down dour spirit is so palpable you wonder why someone or some group bothered to leave evidence of art or joy. You’re glad they did, but you wonder.

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Like why someone took time to plaster a huge, complex work of art on the side of a rundown shop. It’s heartening, but also seems a bit like putting a fresh coat of paint on a ghost town.

 

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Or why there’s still a kiddie coin ride toy sitting waiting in the street, even though it’s chipped and looks as if no child has ridden it in years.

 

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Or why there’s more art pasted on the front of a closed shop, of a seemingly vibrant woman moving, or dancing, with a red skull of death. It looks like work from the same artist as above.

 

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But then you look some more, see a Kirin booze can, trash bag, and newspapers in the seat of a kiddie racecar riding toy, and you remember that the street finds its own use for things.

(Pictures taken in Sanya (Nihonzutsumi), Tokyo in April, 2012)

Yushima Station—A small memory

Years live and die, as they will.

Kiosks and memory come and go.

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My past is here, sweating in a wool suit, thanking the gods of physics and money for Japan.

Sweating in a wool suit, no CoolBiz in the ‘80s, and wondering, as young men will:

“If after Tokyo, what?”

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After Tokyo was many years finding me.

After Tokyo I couldn’t find the parts I left in Japan.

So I came back here and found them, most of them.

They dangled from phone straps.

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And it’s still Yushima Station, a wretched coffin with throughput rails.

I’m glad for it.

Bits of my mind still live there, and that makes it always my empty, wide-open home.

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(Pictures taken at Yushima Station, Tokyo, in April 2012)

The Dreaming Beast—A small drowse

I never jumped in the Sumida River

but I thought about it

many times.

Not to die, but to float,

float down to the sea.

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Where the birds go

to have lunch on spring days

when the trash we leave them

isn’t quite enough to take home to the family.

The floating idea,

it’s all about the dream time,

the closing of eyes,

of being borne by Earth’s amniotic fluid

to the place where we all come home.

It’s a place we don’t want to go

but can’t help desiring.

It’s instinct, like picking our teeth with a knife.

It’s stupid

but we do it

because we’ve been dreaming of

floating down rivers

for so many thousands of years.

(Picture taken at Minami-senju Station, Tokyo, in April 2012)

The Incomplete Transsexual—A small tale from the Seoul Bar

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It was a little like the scenario in that Kinks song “Lola”, but only in passing. I met her in a little place called Seoul Bar, which is in a rundown section of northeast Tokyo called Sanya. At first I thought her was a him, and she sounded like a man but…

 

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The lipstick should have given me a clue, but it was confusing initially, even more so because his, sorry, her English was pretty rusty, and my Japanese was horrible. She took an interest in me because I was American. When she was still fully he, he used to work for Americans in the ‘60s. Or the ‘70s, but doing what I never completely figured out. But we managed fitfully to communicate, and after a few minutes I thought he was a pretty interesting woman.

 

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She’d had the money at some unspecified point in the past to start the process of becoming her true self, to transition from male to female. Her family, which might have included a wife and kids, never understood nor approved of what she needed to be. They disowned her many years ago.

 

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However, it was obvious she was accepted in Seoul Bar, but also treated a bit like an oddity. When another bar patron took a schoolboy jab at her breasts, it bothered me. It was playful, but far from respectful. But it was nearly 13:00, in a bar in a crummy part of town, and everyone was drinking. So maybe my standards were unrealistically high. Hell, she even wanted me to take a feel of her tits. She was proud of them. I declined.

 

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She was also proud of her hands, justifiably I thought, but seemed frustrated by lingering facial hair. My guess is whatever hormones she used to take had worn off some time ago. She also said she still had the male parts she’d been born with.

 

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I left the Seoul Bar when the karaoke was about to start and went out to the shōtengai to take more pictures. After about five minutes,  I noticed my ladyfriend walking in the same direction I was. She had bar-snack crumbs on her face, and in the outdoor light I could really see how worn- and shabby-looking she was. Yet as she waved her hands around at my camera, her manicured nails were still noticeable, as were her few female bumps and curves. She looked more like a woman standing up outside than she had hunched next to me in a chair in the dark little bar we’d been in.

 

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She and I walked together for a few minutes. She didn’t mind me taking pictures of her. In fact, she carried herself with a little bit of the vanity some women seem to naturally have, whether their looks entitle them to such vanity or not. But the fact that this woman, this shabby, incomplete woman, carried herself in this a way instantly earned a small measure of my respect. It took, for lack of a better term, balls.

 

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We came to a stop when she spotted a man she knew, a friend I suppose, a guy I had photographed previously. He was pretty goddamned drunk. But she wanted to go talk to him.

 

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Like I said, she was proud of her breasts and not shy about playing with them in public. I didn’t ask her to do this. I don’t know enough Japanese to get that far. But she posed for me a few times out there in the street, and this is where her hands always ended up. You’ve got to roll with these things in some parts of Tokyo street life.

 

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Then she walked over to talk to her friend. It was a short conversation. The guy in the gutter made a slow lunge for my ladyfriend’s crotch. Her response, as I barely understood it, was to offer to show the man that he would have gotten a handful of male goodies if she had let his fingers reach their target. This was a little bit too much for me, the idea that this incomplete woman was prepared to whip out her male equipment in the street.

So I walked away. But you know, I never even got her name.

(Pictures taken on the shōtengai in Sanya, Tokyo in April, 2012)

A Little Place In Sanya—A small tale from the Seoul Bar

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I discovered the Seoul Bar in Sanya, a rundown section in northeastern Tokyo, after watching a surly drunk get thrown out of it. A few days later I went back to this little joint because it had captured my attention and curiosity. And I wanted to see if the drunken ejected patron had been let back into the place.

 

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At first I thought the old smooth-headed gentleman in the chair was the ejected boozer from my previous visit. A closer, more scrupulous look at the man proved me wrong. But then my eyes were immediately drawn to Mama-san, a beautiful older woman who calmly surveyed the street in front of Seoul Bar and whose smiling face beamed with what I took for pride.

 

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When Mama-san saw me, she recognized me from several days before. And when she understood that I meant to enter the bar, she retreated back to a table inside and started clearing and cleaning a place for me to sit.

 

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I sat at the table Mama-san cleaned for me with this gent. He ignored me at first, but as a foreigner visiting Japan I am used to this. Yet he stared so long out the front of the bar and into the street that after awhile I decided he really was more interested in the people coming and going outside than he was in ignoring me.

 

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The Seoul Bar is small, the prices are cheap. But the pictures on the wall told me that this isn’t just some anonymous, impersonal dive in a run-down neighborhood. After Mama-san insisted on sitting in my lap and having our picture taken together, I immediately understood that this is her bar and this is her way of making customers feel welcome. Through some bad English spoken by a couple of other customers, and my horrible Japanese, I learned Mama-san is South Korean, and she has owned and run this place in Sanya for 23 years. That’s a hell of a long time to run a drinking business in this poor part of Tokyo.

 

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So then Mama-san got up to get me a beer, and I finally took a look around the place. It didn’t have more than three four-seat tables in it. The smooth-headed older gent from before was still sitting at the front of the place. He didn’t smile, but he didn’t seem hostile either.

 

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Then there this guy, who sat at the small counter in the back near the whiskey and tea. He smiled quite a bit, and made me feel as welcome as Mama-san did. I think he was her business partner, or her husband, since he was wearing what looked like a wedding band. I liked him.

 

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The I looked around at my table mate, who had finished surveying the world outside the bar and turned his attention toward me. He was a bit jittery and didn’t sit still much, so this is the best image he allowed me to take of himself. The items sitting on the table before him seemed to me like a variation of the four basic Japanese neighborhood bar food groups.

 

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Then Mama-san brought my beer and some more snacks, and my table mate and I had a bigger bounty to share. Cheese twists, watermelon wedges, a peanut/soy nut mixture, and beer were the day’s menu items. I could have had kimchee or bibimbap if I’d wanted. They’re listed in katakana on the front of the bar. I later regretted not having a proper lunch.

 

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The beer was cold and delicious, and the snacks were pretty good. But when Mama-san handed my table mate the wireless mic and the karaoke started, I decided to take my leave. I can’t stand karaoke, and this nice man’s warm-up singing sounded like the best attempts of an off-key inebriate. Which they were. So I said my best Japanese goodbyes and left.

 

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(Pictures taken on the shōtengai in Sanya, Tokyo in April, 2012)

Coming up: The Incomplete Transsexual…

He Got Tossed—A small tale from the Seoul Bar

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Seoul Bar is a little place on the shōtengai in Sanya, a run-down section of northeast Tokyo. It’s on a corner and from the outside looks tidy enough. But it is also quite unassuming and easy to miss. In fact, I don’t think I would have noticed the place at all…

 

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…if I hadn’t been walking by one day when this surly drunk was getting tossed from the bar. Actually, I didn’t see him get tossed. He was just there, in the tiled street on his back like a pissed-off turtle, laying on his flattened hat and yelling loudly and angrily.

 

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He laid on his back for several minutes, shaking with anger more than anything resembling the chills or symptoms of a seizure. I’ve been an angry inebriate myself on occasion, and I know the signs.

 

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Mama-san, who at the time I did not know was the Korean owner of the bar, came out to try to help the surly drunk. By then it had become apparent that the other customers had thrown the man out.

 

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While everyone else went about their drinking business, Mama-san brought out the man’s small bag of possessions.

 

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And while she decided how to handle the man, he threw a string of angry words at the other men inside the bar. I didn’t know enough Japanese to know what he actually said, but I know invective when I hear it.

 

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Eventually, two men from Seoul Bar came out and helped the surly drunk back up to his feet. I wasn’t sure if he knew I had been taking pictures of him. He seemed too drunk to care.

 

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Well, until I took this picture. Then the surly drunk directed all his anger towards me, away from his former drinking mates. This made him calm down a little. But he still wasn’t let back in the bar. I saw him walking dejectedly down the shōtengai towards Minimi-senju shortly after I snapped this picture. That was the last I saw of him…

(Pictures taken on the shōtengai in Sanya, Tokyo in April, 2012)

Coming up: Inside Seoul Bar, and The Incomplete Transsexual…